Magma to release 70’s composition “Zëss” in version featuring Morgan Ågren and the Prague Philharmonic Orchestra!
As previously reported here at Stargazed Magazine, Swedish fans of dark and heavy progressive music will be able to enjoy the legendary French band Magma’s 50th anniversary concert in Gothenburg on November 2nd with Änglagård offshoot band All Traps On Earth as the opening act. Mats/Morgan will be the opening act at the Magma concerts at Fasching in Stockholm on October 31st and November 1st.
Morgan Ågren, the Mats/Morgan drummer, is also playing drums on the upcoming Magma album, “Zëss” which will be released on June 14th through Seventh Records. Those who pre-order the 40 page deluxe CD book from the label before May 31st will get free shipping.
Morgan Ågren will also be playing with Magma at the release party in Paris at the Philharmonic Hall on June 26th.
Zëss had long been plagued by its incompleteness and its recording was deferred for years. Four decades after its first draft, the work has finally been recorded in an orchestral version (with the city of Prague Philharmonic Orchestra) that gives it both its true dreamlike dimension and its transcending power. For Zëss is above all the visionary reflection of an immemorial dream haunting the most obscure part of our souls.
Watch the electronic press kit video presentation here:
FULGURANCE, APOTHEOSIS AND TRANSFIGURATION
“Zëss” — the name itself is sharp as a blade, slender as a cut, sudden like a darting meteor, fast as it is acute. While the inspiration that permeates Zëss comes from time immemorial, a first draft emerged in 1977. After being gradually completed, the piece debuted in concert in the spring of 1979. It became a staple of Magma’s repertoire until it was set aside in 1983.
The music itself seems born out of the night in order to transfigure it. The first chords ring out in the dim dawn, then rise and cast their great shadows against the day. Already their orb suggests the oval shape of an ancient stadium set in the cosmic darkness. It is an immense celestial arena, an agora where all the voices of the universe resonate. Everyone has assembled for a last celebration, a gathering of the innumerable into a single point where everything comes together for the Day of Oblivion.
Zëss treads a line between a vital overflowing and the edges of the unlivable. It is an incandescent and heady oratorio where consciousness questions its other side in a measureless journey. Zëss indicates the ultimate reversal out of which bursts a beyond of music that only music can reach. Magma’s whole story condensed…